On extended, boundless, vibratory and in-the-now sympathy music

http://jeromejoy.org/


  || NEWS                 || BIO   | SHOWS   | CATALOG                 || PROJE(C)TS   | MP3s   | CDs   | VIDEOS                         || BIBLIO   | STUDIES   | DOCUMENTATION   | PH.D.   | EDU                 | COLLECTIVE JUKEBOX   | NOCINEMA.ORG   | CONCERTS FILMS   || AUDITO   | QWAT?                   || home   | contact  |     |    🔎  |

  Last changed - (French time): 2011/02/14 11:06     > Recent changes

 

../files/articles/nocinema/template/2.jpg../files/articles/nocinema/template/3.jpg../files/articles/nocinema/template/5.jpg../files/articles/nocinema/template/6.jpg../files/articles/nocinema/template/10.jpg../files/articles/nocinema/template/12.jpg../files/articles/nocinema/template/13.jpg../files/articles/nocinema/template/15.jpg../files/articles/nocinema/template/1.jpg
« Tout ce qui bouge sur un écran est du cinéma. » (Jean Renoir)


  Sommaire / Contents 





Andreï Tarkovski, The Mirror (Zerkalo, Зеркало), 1975









Lien externe: Étude sur The Mirror

Music by Eduard Artemyev.


The Mirror (Russian: Зеркало, Zerkalo) is a 1974 Russian film directed by Andrei Tarkovsky. It is loosely autobiographical, blending childhood memories, newsreel footage and poems by his father Arseny Tarkovsky. The film features Margarita Terekhova, Ignat Daniltsev, Tarkovsky's wife Larisa Tarkovskaya, Alla Demidova and Anatoli Solonitsyn and has a soundtrack by Eduard Artemyev.

The Mirror has no apparent plot. Instead it rhythmically combines contemporary scenes with childhood memories and newsreel footage. At various points in the film poems by Tarkovsky's father are recited. The loose flow of visually oneiric images has been compared to the stream of consciousness technique in literature. Its complex yet simultaneously simple structure makes The Mirror one of Tarkovsky's most difficult films, as well as his most personal. Today The Mirror is widely regarded as a masterpiece and one of Tarkovsky's best works.

The concept of The Mirror dates as far back as 1964. Over the years Tarkovsky wrote several screenplay variants, at time working together with Aleksandr Misharin. This script was initially not approved by the film committee of Goskino, and only after several years of waiting Tarkovsky would be allowed to realize The Mirror. At various times the script was known under different names, most notably Confession and A White, White Day. The completed film was initially rejected by Goskino, and after some delay only given a limited release in the Soviet Union.

































  Sommaire / Contents 










   
   
   
    [Edit] [Hist] [UP] [List] [New]   [Log out]


1995/2020 — Powered by LionWiki 3.1.1 — Thanks to Adam Zivner — webmaster & webdesign : Jérôme Joy — Author : Jérôme Joy — Any material is under copyleft © with in-line & in-text attributions —
http://jeromejoy.org/ — Hosted by nujus.net NYC since 2007, and by The Thing NYC (between 1995-2007 — Thanks to Wolfgang Staehle and the Thing team).