On extended, boundless, vibratory and in-the-now sympathy music

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« Tout ce qui bouge sur un écran est du cinéma. » (Jean Renoir)


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mot-clés :


Christopher MacLaine, The End, 1953




The End certainly has a center: six stories of people on the last day of their lives. Most are about to commit suicide, or some metaphorical equivalent, but the mushroom cloud with which the film begins and ends reminds us that, as Maclaine's voice intones on the sound track, we await "the grand suicide of the human race".

Throughout the film he compares the dehumanizing effects of mass culture to the dehumanizing effects of personal despair, weaving these two threads together until the mannequins he films in store windows, the anonymous people he films on the street, and his characters all seem variations on the same half-living, half-dead persona.






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